In ‘The Queen of Versailles,’ Kristin Chenoweth Can’t Get Enough
Material excess can never be too excessive for the central character of this gilded Broadway musical, based on the 2012 film.
https://t.co/9AArP58ZmcIt’s my perfect distortion
My face mirrored, and split by emotion
Toyed with and tainted as I move
From one to another, I fit to the grooves
Of the loose ends of sharpness that gather to unite
To be perfectly fitted
And renewed to the mirrored spite
Unnoticeably broken
But brittle and rough
Stand from afar, and admire the muffs
Help with the pane
Move to uncertainty
Lure the cheery light
And cure my fearful fright.
It’s my perfect distortion
That I recognize so well
But help me see
What the others see but tell.
Are the pieces lost?
Slipped through the cracks?
Fallen through to the dangerous high acts?
I’ll never know of my pieces that are missing.
Mold the old to fit the space
Kiss the glass, even of bad taste
Forever, but never made
To be new
Just molded and distorted
To create a familiar you
Of mirrored light, broken,
But Forever Bright.
Please stay with the brittle pane
Until the sun goes down
And pain fades
And new lights of distorted beauty
Reign again
I'll run away when I'm 17
My future, I've already seen
I see you and some grief
Lets grow old on the western coast
You is what I've always needed most
These times have got the best of you
CHORUS: I've grown so cold
Goodbye to pain, goodbye to love
I've lost all the feeling
This sea-salt air has overtaken my soul
Let it overtake you too
I've won all the wars that I need
And kept promises that I could keep
So this time, I have to leave
I'm dreaming, I can't fall asleep
My minds on fire
I lay restless, and tired
Have you ever imagined a new life
It's your choice, you have a second time
I hope you think more then just twice
CHORUS x 2
All of this is left unreal
Written down as a failure I feel
I made my move, I went in for the kill
I'm left bloody, and wide-open
My tears are leaving my eyes out of focus
We could live life the way we want
Goodbye, I'm sorry I've been so blunt
CHORUS x 2
I'll run away when I'm 17
I'll leave you when I'm 17
CHORUS x 1
, genre: landscape, style: Impressionism, period: Later Years, gallery name: Private Collection, tags: Dirt road, Road, Tree, Sky, completition: 1895.
https://uploads5.wikiart.org/images/pierre-auguste-renoir/on-the-banks-of-the-river-1895.jpgOn television, nearly every half hour is a discrete event, separated in content, context, and emotional texture from what precedes and follows it. News are fragmented and without context, consequences, value, or seriousness; they are pure entertainment. The average length of any news story is forty-five seconds, which is not enough time to explore the whole depth of a story. And no matter how grave the news, it’s followed by a series of short commercials.
- Relaxation of zoning laws
- Investment in rail.
- Approaching the development of poorer neighbourhoods as gradual and in-situ in nature.
- Using data to plan resources and manage the ageing population.
- Cooking not only helps us eating undigestible food to the digestible one. It shapes and grow our brains.
- Cooking also changes our social structure. Back then, bonfire is not only for cook, but also for socialize.
- Now, food still become a center of any party or gathering. It acts as social lubricant.
The Enlightenment was a movement that promoted values of reason, evidence-based knowledge, free inquiry, individual liberty, humanism, limited government, and the separation of church and state.
18th century Paris served as a place for intellectual discourse where philosophes birthed the Age of Enlightenment. Paris earned the nickname "the City of Light."
, genre: abstract, style: Tachisme, tags: Pattern, Brown, Textile, completition: 1953.
https://uploads0.wikiart.org/images/pierre-alechinsky/le-feu-1953.jpg
, genre: landscape, style: Futurism, tags: Sky, completition: 1933.
https://uploads6.wikiart.org/images/gerardo-dottori/aurora-volando-1933.jpgLearn more: https://t.co/A0tQDnj0Vj https://t.co/QJajutyb3h
The last note still ringing in his ears, the night’s events still swirling around in his head, he walks out of the door into the warm evening air. The entire atmosphere is one of joyous sadness. Emotions course through the air, giving it some sort of charge. The next morning shall be the last exchange of the drink of the fruit of passion, and yet the solemn first for him. Later tomorrow he knows, they all know, that they must part ways. They must all leave their oasis of comfort and security to dive again into the vast sea of reality, of conformity. Yet still they cherish it, hold on to it. Even in the last moments of such a magical night, they open their minds, their hearts, open their souls to each other and learn to love that which is there in what others have exposed. The chants of “…MORE, MORE, MORE, MORE” truly resound in not only everyone’s thoughts but in their utmost desires.
Late that night, lying in that same old bed for the last time, gazing up at the concrete ceiling. Finally, his thoughts allowed to sit and slowly filter out. Shock, insubordinate yet knowingly unjust anger. A few muttered words from the other side of the room, a brief agreement of opinions. Then silence. The hazy recollection of events over the past three weeks, the bittersweet insanity which so marked each and every day. The mistakes made, the friendships formed, the battles lost and won. And as all of this starts to settle down into a gentle murmur, he drifts off into sleep.
The next morning, torn from the warm embrace of his frail sheets, down to the circle, sips from the glass, toasts to a fallen comrade. Soon enough the group all progressed to go through their daily routines one final time. They returned to what they knew was the inevitable.
They were there, it was time to be rounded up and brought back to their respective lives. Tears were shed, last goodbyes, every single one of them joined as one united being, as one entity separate from their single selves. Each and every one of them will never leave the spot they were when they knew it was time they had to leave. Those who knew they could never return let fall the rains of their misery. Their true love for something so intangible yet so true and so real ripped apart their true selves and lovingly joined their true selves back together in an instant.
But, as inevitabilities go, by midday it was empty and silent. Once could almost feel on the air all that had occurred there so few hours ago. That evening, He finally lay in bed before sleep. All were dispersed from that place they cherished so dear, back in the true world but thinking of naught but what they had left behind.
And all at once, without warning, from places near and far came the sound of 300 voices: “This will be the day that I die…”
a building under construction with a sign in front of it
https://images.unsplash.com/photo-1632400386307-2b2f275b35da?fm=jpg&fit=crop&w=600&q=80&fit=max
‘Provincials: Postcards from the Peripheries’, Reviewed
Sumana Roy’s book is a love letter to places not quite on the map.
https://t.co/DwkpZzdRZGpink flowers with green leaves
https://images.unsplash.com/photo-1621159653583-8717f887eb1d?fm=jpg&fit=crop&w=600&q=80&fit=max
Hey diddle diddle,
the Cats on the fiddle,
that Cow must be wired to the moon.
The little Dog barfed,
as we all had fun
and the Dish got clubbed with a Spoon...
ali-p 2003
blue seclusion
illuminating the midnight forest
every breath sending a cloud of cold crystals
it is all the best
looking at the cold blue moon
wondering.....
Will I die soon?
Is this the last thing of beauty I see?
And something tells me no
To keep living my life
Because....
There is another full moon
Around the corner
https://t.co/6cJx3H19RL https://t.co/VsH6o5pHJG
Subtle Yet Not-Minimalist Sculptures by Frank Gerritz Go On View in Zurich
Frank Gerritz solo exhibition at Galerie Haas Zürich highlights his distinctive use of mediums and techniques.
https://t.co/H8TKUtAGzM