I had hope
I should of known it was lie
I knew it wouldn't last
I knew someone was lying to me
I knew it
why did I believe you
why did I believe her
I believed
cause I have dreams
I have hopes
but why have hope
hope is pointless
hope will only cause me to break more
so I give up hope
I will leave this hope of find loving
I will leave all hope behind
I will slowly die
for hope was all that I had in life
hope...
is a dream
The light at the end of went out too soon
This kid wasn't meant to fall to his doom
Today the school is mourning his death
Crying in the halls, not able to rest
These kids really loved him
He wasn't meant to die so soon
Six more months until his graduation
An empty chair, and hearts left with questions
Tears and memory's in behalf of his blessings
This schools never going to be the same
He came so fast and left too soon
These kids really loved him
Standing in the halls they reminisce
All the good things about him they'll always miss
He's the only kid in school who spun a binder on his finger
Carried a boom box when skiing down the hill
Something I think about to this day still
Yet I can't seem to understand what was going through his head
I came to school, finding out this kid he was dead
A tragic ending to an unfinished story
Since 1935, talented staff members—many of whom are accomplished artists—have shared their creative work within The Met community. Now, we’re thrilled to present their artistry https://t.co/ExOnZkZuFi
When we gather, we often make the mistake of merging category with purpose. We outsource our decisions and our assumptions about our gatherings to people, formats, and contexts that are not our own.
We get caught into the false belief that knowing the category of the gathering—the board meeting, workshop, birthday party, town hall—will be instructive to designing it. But we often choose the template—and the activities and structure that go along with it—before we’re clear on our purpose.
a city skyline with a blue sky
https://images.unsplash.com/photo-1648596363730-930675652755?fm=jpg&fit=crop&w=600&q=80&fit=max
, genre: still life, style: Post-Impressionism, period: Final period, gallery name: Musée d'Orsay, Paris, France, tags: Still life photography, Fruit, completition: 1900.
https://uploads2.wikiart.org/images/paul-cezanne/apples-and-oranges.jpgEdmonia Lewis was the first professional African American sculptor, born in New York in 1843/45. Her father was a free African American and her mother a Chippewa Indian. From the beginning, she was determined to become a sculptor. With a minimum of training, exposure, and experience, Lewis began producing medallion portraits of known abolitionists. With sales of her portrait busts of abolitionist John Brown and Colonel Robert Gould Shaw, the Boston hero and white leader of the celebrated African American 54 Regiment of the Civil War, Lewis was able to finance her first trip to Europe in 1865.
, genre: self-portrait, style: Art Nouveau (Modern), gallery name: Private Collection, tags: male-portraits, famous-people, Sitting, completition: 1914.
https://uploads7.wikiart.org/images/koloman-moser/self-portrait.jpgWho Were the Women Who Pioneered Early Computer Art? | Artnet News
A new exhibition spotlights the women artists who pioneered computer art but whose contributions have since been overlooked.
https://t.co/mjWKNF6B6OIf I could
Do everything over...
I wouldn't
If I could
feel the end coming...
I wouldn't
If I could
make you understand...
I wouldn't
If I could
trust you...
I wouldn't
If I could
end it all...
I would