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Third Strike

So I ran around in the dark (a mistake)
With blind eyes, and a blind mind (a choice)
I've ran out of words (a crime)
Let me end this now (so I can die)
I've broken down (ran out of time)
Ruined everything again (my life)
Why can't I go? Why can't I go?

CHORUS: Blistering fire tears my insides
To a crisp, I find myself go blind
Help me now, I need your kiss so bad
Look, now I've succumbed to be sad
Tear drops burn my wounds
I always figured I'd end up last, I'd lose

And this time I'll be smart
Won't be misled, won't be brought down
Walk my way over the snow covered hills
Find a life that suites me well
So long, we'll meet again sometime before hell

CHORUS x 2

REPEAT 1 with parentheses first

CHORUS x 1

Artz Now | 16842624281234637021684262428123463702 digital artwork

Album cover for Stan Getz & João Gilberto - Getz/Gilberto #2 - Olga Albizu

The visual effects in the loony 1992 comedy “Death Becomes Her” broke new ground (along with Meryl Streep’s neck). With the film’s Broadway musical adaptation, we take a look at its enduring legacy. https://t.co/M0SuL3d6NV

Love & Sunset Vintage Art | Printable Digital Painting | Digital Art Download | 1/2 digital artwork

*Angel*

Show me where everything is hidden
When there's no place left to hide
Do you feel like life's a one way trip
And your only there for the ride

When will the pain all go away
When can I let free again
When will the pain all go away
When can I truly love again

What is it that you are trying to show me
Am I missing all the clues
An angel who wants to be happy and free
But right now is just feeling the blues

Can’t I just be happy again
No more worries anymore
Can’t I just love again
Instead of always shutting the door

Let the angel spread her wings
And soar through life free
Without letting her worry
About where the end may be

This angel is going to love again
Something she thought she’d never do
There is nothing that this angel won’t do
Just to always be in love with you

Danyon L. Youngs
2-11-02

Eight years after “Moana” made Auliʻi Cravalho a star, the 24-year-old has grown up. She’s back in the role, but also making her Broadway debut and embracing characters who make “bad decisions.” https://t.co/ApiolStYz5

These are the best TV shows of 2024. https://t.co/yXtH4LKPMT

These are our film critics’ picks for the best movies of 2024. https://t.co/OVtJivdZ7v

Heading to the show and ready to take your art fair game to the next level?

Guided tours of #ArtBaselMiamiBeach are organized in partnership with ArtNexus and available daily during show hours.

Book your tour now: https://t.co/Jn9mhWF2OV https://t.co/SYASCPhvYO

Keep an eye out when Summer Wheat's limited edition with Artspace and artadia drops this week. In the meantime, read more here: https://t.co/PZR8QMu0B2 https://t.co/qjSrXv0Jyg

Join Gagosian on Friday, December 6, at 7:15pm, and Saturday, December 7, at 12pm and 5pm, for live performances by Marco Blaauw of the musical accompaniment to Gerhard Richter’s “Moving Picture (946-3) Kyoto Version” at Gagosian, Rome: https://t.co/tfZ2JOHDtd https://t.co/8nR5Co9TMi

Sacred Art: Church and State in Russian Orthodoxy https://t.co/44a7lGA2QO

An exploration of the historical and contemporary dynamics of the Russian Orthodox Church and its evolving relationship with the Russian state https://t.co/hvmCckKoVs

Experts foresee a prosperous Art Basel Miami Beach 2024. Textiles will appear all throughout the aisles, as will works by Maurizio Cattelan. https://t.co/Zoid1HDQnj

#ArtBaselStories : How art advisor Esthella Provas gets ready for Art Basel Miami Beach

She talks red lipstick, high heels – and the importance of leaving room for surprises: https://t.co/XPlW52FseI https://t.co/CHUHvQypGd

Gustav Klimt The Kiss 1908 Austrian Symbolist Painter Golden Period Art Nouveau Print Cool Wall Decor Art Print Poster 12x18 painting artwork

#LAFRecommends | December Art Journal

To keep your cultural calendar busy for the remainder of the year, here's your final Art Journal of 2024 filled with the top exhibitions across the UK this December 👇 https://t.co/UaG581cSeM

#southbank #streetart update 11.2024 featuring pieces by #slaeone #jfoxinc #odwggraff #allseeingra https://t.co/OAIw9EiJVy

Third Strike

So I ran around in the dark (a mistake)
With blind eyes, and a blind mind (a choice)
I've ran out of words (a crime)
Let me end this now (so I can die)
I've broken down (ran out of time)
Ruined everything again (my life)
Why can't I go? Why can't I go?

CHORUS: Blistering fire tears my insides
To a crisp, I find myself go blind
Help me now, I need your kiss so bad
Look, now I've succumbed to be sad
Tear drops burn my wounds
I always figured I'd end up last, I'd lose

And this time I'll be smart
Won't be misled, won't be brought down
Walk my way over the snow covered hills
Find a life that suites me well
So long, we'll meet again sometime before hell

CHORUS x 2

REPEAT 1 with parentheses first

CHORUS x 1

The 2 Types of Privilege

The two types of privilege are: individual and institutional.

Institutional privilege refers to all the advantages of Whiteness that are inherited through baked-in foundational forces and their impact on political, economic, legal, and social structures, policies, and practices. 

Individual privilege is what individuals obtain for themselves, often called "achieved" status.

Institutional privilege is tied to individual privilege because a lack of the former constrains or restricts the latter.

The only group of people who have full privilege is the group of high-class Whites.

Heart and Soul

verse 1
I’ve put my life on the line
In the search to find true happiness
On a dream is where I’d dwell
I had my life on the line
It was all on hold and colourless
The darker spirits had cast a spell

I’ve placed a trust in myself
My life will not be lead in loneliness
The streaming tears must float away
I had a trust in myself
Life can’t remain so passionless
Until that time I am a stray

chorus
One can’t just force the emotion
Force it to a place,
Where it can’t blossom proud and true
It lays low then attacks
Attacks when it finds someone
Connecting strong with you

I put my heart and soul
To find the one who’d show me heaven
There were few who took me high
Heaven never heard my cry
My efforts were for nothing I could tell
And whenever fortune approached
I’d be brought down to serve in hell

Verse 2
I felt so blind to the truth
Naïve and young I wanted it
Because my life was bland and blue
I was so blind to the truth
Seeking all who I connected with
It wasn’t real love I knew

I’ve got a fire in my heart
Warm and raging, still alive
I’m alone, but I’m complete
I had a fire in my heart
It swung around, then learned to live
It’s independent to the heat

chorus

Bridge
The error of my ways was to
Seek compassion from another
My flaw in the day was to
Reciprocate from my lover
Yet all I ever needed was to love myself
With all my heart, from within my soul

Life’s just a series of moments
Mortal, null, and full of stress
A break to being must unfold
Life is a series of moments
Learn not to waste and self confess
So seize yours, don’t be told

Final Chorus
I have my heart and soul
I am the one who’ll show me heaven
With the one’s who took me high
Heaven never heard my cry
My efforts had been for nothing, I could tell
Now whenever fortune approached
I’m not brought down to serve in hell

Beetle uncovered in Gauguin painting–New conservation work reveals a hidden insect in a cat portrait now on view at Amsterdam's Van Gogh Museum

https://t.co/muXKSl5htW https://t.co/2xbuGB9gr1

Traveling to #ArtBaselMiamiBeach with a little one? 👶

Art Kids is the perfect place for children ages 4–12 to enjoy recreational activities while their parents visit the fair, under the supervision of Miami Children's Museum professionals: https://t.co/HCR1YfwTZi https://t.co/M0f7lAW7As

Should the wreckage be identified at part of the fleet of Vasco da Gama, experts are calling it "archaeological stardust". https://t.co/Qz1yUl2C5a

"Maison Ancart," an exhibition of new paintings by Harold Ancart, is on view at Gagosian, rue de Ponthieu, Paris, through December 20: https://t.co/CfLPe0vE2P https://t.co/KQoZ3uW6Ic

Hey diddle diddle, hes on the fiddle

Hey diddle diddle,
the Cats on the fiddle,
that Cow must be wired to the moon.
The little Dog barfed,
as we all had fun
and the Dish got clubbed with a Spoon...

ali-p 2003

#ArtBaselMiamiBeach : Galleries collaborate to showcase global talent.

This year, 8️⃣ galleries will host joint presentations. Four of them discuss the benefits of these temporary alliances. Learn more: https://t.co/vdGSpf9xDq https://t.co/EhCso2aNpu

Gesture Series - no. 209 - Hans Richter

Soul Mates

I could stand here and challenge fate
With no one else but you
Is it all worth the wait
Or will you just hurt me too

I’ve learned to stand behind
Everything you’ve said
Just when everyone said
I should listen to them instead

You have put me on a pedestal
I’ll always call you king
You tell me I’m your angel
Let me fix your broken wing

I need to be complete
I need to take my chance
If our souls are meant to meet
Lets give them the chance to dance

Danyon L. Youngs
2-11-02

The first correspondence school

Back in 1728, Caleb Phillips advertised his teachings on a new shorthand method in the Boston Gazette. The lessons would be delivered by mail every week.

In the 1840s, Sir Isaac Pitman also offered shorthand by mail. However, his students would send him a postcard with their efforts, and he would correct and send it back to them. Thus, the Phonographic Correspondence Society was born to formalise the courses. In turn, it led to colleges, and by 1873, the first correspondence school was opened.